Probably the least favorite part of preparing a working bird is the number of coats of Behr Marine Spar varnish they can absorb before it actually starts to build up as a waterpoof seal.
Think this is after about 6 coats drying between each one so about 4 days worth:
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One of the fun things to do that doesn't take very long but makes an amazing difference on a working bird is adding a stipple finish which in essence absorbs light so no shine and a very soft color is detected (like real feathers).
Messy but fun I add a bit of base color to the stipple which is 50% modeling paste and 50% gesso.
since the underside and sides are lighter I do them first with a course brush dabbing the paste on and roughly smootihing it to a consistent thickness of an 8th of an inch.
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of course it is rough looking:
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Dabbing it with a wet sponge creates an orange peel type of texture which reflects soft colors and absorbs shine.
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I then double the amount of burnt umber and raw umber to create a darker brown gray base coat for the back and breast:
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Since the head generally looks better with some feather tracts combed into the texture paste and I have to handle the whole bird to do that detail I wil let the body of the bird dry completely tonight before etching feather tracts in the head and neck tomorrow